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Your Custom Text Here
Early light is my favorite light, the start of a new day, something new. This series consists of black and white landscapes, still lifes and the female form mostly photographed with infrared film. I wanted to capture the ethereal qualities of clouds in the sky, the human body and light that cannot be seen with the human eye.
Many of my first prints from this series are lith prints, using Kodalith developer part A and B. The print does not have a 2 minute developing time like other paper developers, using this developer your print will continue to develop until it is completely black. The print needs to be watched and pulled out of the developer as soon as the blacks “pop”, the print can take 5 minutes up to 30 minutes depending on the age of the developer, temperature or the paper being used. I used a specific paper to receive the warm tones. Unfortunately this paper and developer are no longer available but I enjoyed this process immensely, no two prints are the same, truly one of a kind. I have a few lith prints left and the remainder of the editions are silver gelatin prints. Please inquire if you are interested in my lith prints, I only have a few prints left of select images in this series, and the size/pricing varies.
Early light is my favorite light, the start of a new day, something new. This series consists of black and white landscapes, still lifes and the female form mostly photographed with infrared film. I wanted to capture the ethereal qualities of clouds in the sky, the human body and light that cannot be seen with the human eye.
Many of my first prints from this series are lith prints, using Kodalith developer part A and B. The print does not have a 2 minute developing time like other paper developers, using this developer your print will continue to develop until it is completely black. The print needs to be watched and pulled out of the developer as soon as the blacks “pop”, the print can take 5 minutes up to 30 minutes depending on the age of the developer, temperature or the paper being used. I used a specific paper to receive the warm tones. Unfortunately this paper and developer are no longer available but I enjoyed this process immensely, no two prints are the same, truly one of a kind. I have a few lith prints left and the remainder of the editions are silver gelatin prints. Please inquire if you are interested in my lith prints, I only have a few prints left of select images in this series, and the size/pricing varies.
Touch of Lavender, 2003
Copyright © Rachael Short
Summer Grass, 2001
Copyright © Rachael Short
Mirror Image, 2002
Copyright © Rachael Short
Windy Nude, 2004
Copyright © Rachael Short
Blowing Dunes, 2003
Coastline, 2001
Abalone, 2002
Copyright © Rachael Short
Rico Moon, 2004
Copyright © Rachael Short
Dark Pacific, 1999
Copyright © Rachael Short
Foggy Coast Road, 2003
Copyright © Rachael Short
Ballerina, 2002
Behind the Oak, 2003
Copyright © Rachael Short
Ancient Reflections, 2005
By the Barn, 1999
Copyright © Rachael Short
Carmel Reflections, 2000
Copyright © Rachael Short
Carmel Valley Oak, 2000
Dark Rose, 2005
Copyright © Rachael Short
Disappear, 2005
Copyright © Rachael Short
Dry Thistle, 2005
Copyright © Rachael Short
Lilly in the Dark, 2005
Copyright © Rachael Short
Mount Shasta, 2005
Copyright © Rachael Short
Never Lost, 2006
Copyright © Rachael Short
Old Coast Road, 2005
Open Field, 1999
Copyright © Rachael Short
Slowly Walking, 2006
Copyright © Rachael Short
The Canyon, 2006
Copyright © Rachael Short
Wandering, 2005
Copyright © Rachael Short
Winter Wind, 2005
Copyright © Rachael Short